After the Deadline is a WordPress plugin that adds proofreading functionality to the WordPress dashboard. Once added, the plugin will highlight grammar, style and spelling errors while you write posts. Similar to Word, errors are color coded by type and right-clicking will bring up suggestions for correction. It’s not 100% (it didn’t catch a there/their misuse I tested), but like any proofreading support, it should be a safeguard instead of a brain replacement. The plugin is only available for self-hosted WordPress blogs. The following video shows After the Deadline in action:

Note: After the Deadline is also available as a FireFox add-on.

Before terms like podcasting and citizen media were common, several sites and public radio storytellers were already on top of helping non-professionals tell their stories. The sites I want to list here offer great examples of what amateurs can do with a recording device and a bit of encouragement.

Transom.org is produced by Atlantic Public Media and is a site for welcoming newbs into the world of public radio. In 2003, it was the first website to win a Peabody award and did so by offering great examples of audio storytelling and solid instruction on how to produce such stories.

HearingVoices.com is a series featuring the best of public radio. It hosts its own “Learn Radio” list with great links related to both storytelling and production.

SoundPortraits.org hosts a great Interview Checklist by David Isay. Its beauty is in its brevity and would make a great pre-game rundown before interviews until you get the hang of it.

The Teen Reporter’s Handbook at RadioDiaries.org is another great reference for getting started in audio. As well, Radio Diaries itself is a commendable project replete with good examples of citizen storytelling. The goal of the project is to find folks whose voices are rarely heard and get a recording device in their hands to begin a personal diary. Hosted documentaries include the voices of prisoners, unique teens and carnival retirees.

If you’re still hungry for digital storytelling links, McLellan Wyatt’s list will keep you busy for weeks.

Finally, check out Ira Glass on Storytelling. He gives an excellent breakdown between merely reporting and telling a story people want to hear:

YouTube Project: Report is holding its second contest for aspiring journalists, offering $10,000 grants to five winners. Partnered with the Pulitzer Center, the contest asks journalism newcomers to film a day in the life of a compelling person. Because of this newbie focus, the YouTube page offers several videos with basic, but solid production advice for amateurs. You’ll find videos on camera basics and lighting tips, but this one on reporting composition gives an idea of what they offer:

Keeping in spirit, I’m producing this post on my G1, using the app described.

The new WordPress app for Android has been released and it’s quite nice. While blogging from a phone still feels a bit limited, this app is a good option for blogging away from a machine.

The application integrates with self-hosted blogs and features tabs for managing comments, posts and pages. The screen for writing posts integrates with Android’s image gallery. (Here, it becomes an even greater travesty that Android doesn’t provide an easy way to take screenshots.) Once written, posts can be published or uploaded as drafts.

Also nice is the comment alert feature, allowing the user to get updates when new comments show up. If you require comment approval for new posters, this can free you from your machine and frequent dashboard refreshes.

In all, it’s nice to see this app taken seriously with bases well-covered in its initial version.

With the discussion over the New York Times’ paywall plans this week, I thought it would be interesting to explore how an individual could set up her own paywall. This isn’t to make a call either way on whether a paywall is good or bad business, but individual experiments in this area could yield interesting results.

While there are multiple ways to host and charge for content online, drop.io offers a fairly simple option. Drop.io is a collaborative, file-sharing service that becomes interesting when you add its privacy options and real-time nature. In addition to file-sharing, drop.io offers the user a feature (appropriately named Paywall) to charge for uploaded content.

Many kinds of media creators can find benefit in a streamlined system for charging for files. Drop.io offers several use cases, which include the independent journalist who wants to charge for monthly access to an insider news service and the photographer who wants to sell high-resolution versions of his images. To this, I also see usefulness to the data journalist who wants to fund her document digging and visualization time by charging for curated data sets. As well, this could be an option for quickly selling that newsworthy photo you caught at the right place at the right time.

Drop.io has a thorough and well-done how-to on their site, but I’ll give the steps in broad strokes here:

1. Create a new drop on drop.io’s homepage. You have the option to add a file in this step and you’ll have to create an admin password.
   
2. Access Paywall and follow the setup instructions. This is done by appending your drop’s URL with “/admin/paywall/”.
   
3. Setup your Amazon Payments Business Account. Drop.io will take you to Amazon to set up a new account or you can use an existing one. One thing to note is that your Amazon Payments name will be visible to buyers. So, keep this in mind if there is a desire for anonymity/pseudonymity.
   
4. Finish by entering your Amazon Payments info and agreeing to terms.

It’s important to note that each site will take a cut from transactions. Drop.io takes 1% and Amazon takes 1-3% and some change based on payment method. As well, free accounts on drop.io go up to 100mb, but it’s $20/month to upgrade to 10gb.

All in all, I believe the simplicity of this approach allows for fast experimentation in terms of the kind of content an individual can sell.  For example, PaidContent.org began as a one-man trade newsletter by Rafat Ali. As well, the system could fit into the 1000 True Fans model being adopted by entrepreneurial media creators. This is ripe for creativity.

Here’s the fifth  in a series of chapter drafts of the Mediactive book. (Here’s everything I’ve posted so far.) Remember, this is a draft, not the final version, though my editor and I believe we’re fairly close. Feel free to chime in with ideas about what I’ve missed and especially what I have gotten wrong, or send email. The chapter begins after the jump. (Note: Some of the HTML is weird, and the footnote links aren’t working right.) Read the rest of this entry »

Here’s the fourth in a series of chapter drafts of the Mediactive book. (Here’s everything I’ve posted so far.) Remember, this is a draft, not the final version, though my editor and I believe we’re fairly close. Feel free to chime in with ideas about what I’ve missed and especially what I have gotten wrong, or send email. The chapter begins after the jump.  Read the rest of this entry »

Here’s the second in a series of chapter drafts of the Mediactive book. (Here’s everything I’ve posted so far.) Remember, this is a draft, not the final version, though my editor and I believe we’re fairly close. Feel free to chime in with ideas about what I’ve missed and especially what I have gotten wrong, or send email. The chapter begins after the jump. (Note: Some of the HTML is weird, and the footnote links aren’t working right.)

Read the rest of this entry »

Mark Briggs summarizes what we’re doing here in a blog post. Mark is author of the excellent book Journalism 2.0, and is on the verge of publishing a new and very updated version.

As I work on the chapters for the book, I’m incorporating some of what I’ve been writing on these topics in recent years. Each of the following posts seems relevant to the chapter topic, “Why Traditional News Organizations Should Make Media Education a Priority”. (Special thanks to Josh Sprague, who put these pages together.)

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